the new NIN album – ghosts i – iv

trent reznor (aka nine inch nails) released a new album this past sunday night. what’s so special about that you might ask? the fact that he is giving it out in multiple formats, with multiple ways you can receive it.nin.com

from somewhere:

Nine Inch Nails has self-released a new instrumental album, Ghosts I-IV. Consisting of 36 instrumental tracks described as “music for daydreams” and released under Creative Commons, it is available in a wide range of formats: MP3, double CD, a package with: the 2xCD, multitracks on DVD, and a deluxe book, and finally the super-deluxe limited edition which includes all that as well as a copy of the album on vinyl.

The free MP3 download includes the first volume – nine tracks (each with unique artwork), wallpapers, and a PDF of the 40 page book. Available directly off nin.com, you also have the option to torrent it via official NIN profiles on Waffles, what.cd and The Pirate Bay. Absent from this release was any kind of leak of audio or information. Record labels and artists should take notes: This is how you do music distribution.

notice the bolded, underlined, italicized line above. this is what sets this release apart from any other of the recent digital distributions done (saul williams and radiohead for example). giving out the free version via “illegal” downloading sites is a new idea for a major artist. trent reznor has been quoted as having been a member of oink and some other music download sites.

the fact that he’s willing to put his money where his mouth is is pretty amazing. i’m happy to see an artist use this method of distribution. for those of you that don’t know, there are of course purchasable versions as well (which do have more tracks, 36 in total as opposed to the 9 avail for free).

a rundown of what’s available:

FREE DOWNLOAD
Ghosts I – The first 9 tracks from the Ghosts I-IV collection available as
high-quality DRM-free MP3s (320kbps LAME encoded, fully tagged) including complete 40 page PDF. Also includes the digital extras pack – various
wallpapers, icons, and graphics tools for your computer, website, profile, etc.

$5 DOWNLOAD
Ghosts I-IV – All 36 tracks in a variety of DRM-free digital formats (320
kbps LAME encoded, fully tagged; FLAC Lossless; Apple Lossless) including a 40
page PDF. Also includes the digital extras pack – various wallpapers, icons,
and graphics tools for your computer, website, profile, etc.

This version is also available from the Amazon MP3 store.

$10 2XCD SET
Ghosts I-IV – 2 audio CDs in a gatefold digipak package with a 16-page
booklet. To be shipped TBD. Includes immediate DRM-free download of the
entire collection in same choice of formats as $5 Download option. Download
will include the 40 page PDF and the digital extras pack – various wallpapers,
cons, and graphics tools for your computer, website, profile, etc.
This configuration will be released to retail in North America (April 8), Australia (April 5), the UK (April 8), Japan (April 5) and most European territories (April 8).

$75 LIMITED EDITION DELUXE PACKAGE
Ghosts I-IV – Hardcover book holding 2 audio CDs, 1 data DVD of all 36
tracks in multi-track format (in .wav files readable by Mac and Windows), and
Blu-ray disc featuring stereo recordings in high-definition 24 bit 96Khz with
exclusive slide show. Includes immediate DRM-free download of the entire
collection in all formats and with all extras mentioned above. Also includes
48-page hardcover of photographs by Phillip Graybill and Rob Sheridan.
Discs and art book both housed in fabric slipcover.

$300 ULTRA-DELUXE LIMITED EDITION PACKAGE
Ghosts I-IV – Contains all elements from deluxe package, along with
exclusive 4XLP 180-gram vinyl set, and two limited edition Giclee prints
available exclusively in this package. Disc book, art book, and prints are
all housed in a fabric slipcover. 4XLP vinyl set comes in its own fabric
slipcover. INCLUDES immediate DRM-free download of the entire collection in
all formats and with all extras mentioned above. LIMITED TO 2500 PIECES,
NUMBERED AND PERSONALLY SIGNED BY TRENT REZNOR.

what is so great about this is the fact that he’s providing a number of different options to consumers, which should help to maximize his own profits while allowing the fans to choose something that fits their budget. $5 for a full album download (including album art in each file) is more than reasonable in my opinion. $10 for a 2x cd isn’t bad either (and is the option i chose). beyond that, he’s released all the media under the Creative Commons Attribution Non-Commercial Share Alike license. this license gives the user complete control over the songs. they can “copy, distribute, display, and perform the work” as well as “make derivative works” (ie remixes) as long as they list the source (NIN, trent reznor) and they aren’t charging anything for it.

to me this is how music should be distributed and used. i hope that this idea catches on for more than just those artists, like NIN, that already have a solid fanbase to work from. i don’t see any reason it can’t

on pushing 30

had a birthday over the weekend. i’m officially 28 now (28 and 2 days really). i don’t feel any different. i haven’t felt different from a birthday in a long time. 25 seemed like a milestone of some kind. i mean, quarter of a century, right? a blink in the global timeline, maybe an hour in one life. not that long but long enough. as a child, they all seem like milestones (well once you are old enough to grasp the concept of aging) and as a teenager, 16, 18, 21 all seem so important. but what happens then?

28 isn’t very special. there’s not much to turning 28 really. 30 might mean something. it’s always like you pick years that should mean something to you. 30 is when you get married. 35 is when you have kids. 55 or 65 and you retire. you don’t really hear about someone making plans for 28. it’s kind of this weird, between age; not really a kid but not really an adult either.

i do feel different though. i feel older and wiser, but not because of my birthday. my birthday somehow lost that all powerful significance. i find myself thinking about things i never thought i would… marriage, kids, buying a house. i even find myself looking forward to those things. but it’s not like these thoughts magically appeared the day after my birthday. they’ve been creeping in over the last few months, or maybe years even.

i think the real significance of your birthday is the way it makes you think back on your life. to take notice of what you’ve done, where you’ve gone, what you’ve seen. to think back on what your life is, what it isn’t, and what you wish/want it to be. your birthday isn’t so much about getting presents and getting wasted and having fun (although i think it’s an excellent excuse to do all those things) but more about taking stock of who you are and evaluating yourself.

it’s about growing up.

christmas in florida

got back from a nice trip to florida w/the gf. her family lives there (and it’s where she did most of her growing up, having been born in brooklyn, nyc). i have to say, spending christmas somewhere it is 75 or 80 degrees was a bit more disconcerting than i thought it would be. don’t think i didn’t enjoy the warmth, as i’m known to hate winter, but it was very different not exchanging presents while it was cold outside. there’s just something to be said for a christmas in winter.

i think i missed that cold, crisp smell the most. it wasn’t the same going outside and sweating and having that damp, moist, summertime type smell. there’s just something about it. every christmas show, commercial, card, or wrapping paper has some sort of snowy winter scene or snowflake on it. i don’t know why, but it always seems like christmas is associated with snow and blustery winter, even when i think more people probably celebrate christmas where it’s warm.

people like the idea of the comfort of a fire, hot chocolate (even though my gf had that almost every day we were there), and big wool sweaters with snowflakes on them. it’s just the way we envision christmas in this country. i don’t know if that comes from the fact that many of our ancestors came from cold climates or what. for whatever reason, christmas and cold just go hand in hand.

anyway, i had a blast but was happy to return home. the orlando airport was mega crowded this morning at 530am when we got there, lines out the wazoo. we only spent like 30 minutes in line total, which wasn’t too bad all told. CMH was dead as usual. i guess no one flys around here or something. i’ve only ever seen it crazy crowded like once in 10 years. but that’s kind of nice in a way, so i hope that doesn’t change.

i mean, really… does that look christmas-y to you?